Carefully curated for your auditory pleasure
“Letter to the President” by John Anonymous.
John Anonymous, an artist with a powerful voice in the realm of Hip-Hop and Conscious Hip-Hop, delves into the heart of societal issues with his latest release, “Letter to the President.” The fusion of his thought-provoking lyrics and the dynamic elements of Gangsta Rap infused with a touch of Country Rap sets the stage for an energetic and aggressive musical experience.
“Letter to the President,” released on Dec 07, 2023, at 08:32 pm, stands as a testament to John Anonymous’ artistic prowess. The track, falling into the genres of Hip-Hop, Conscious Hip-Hop, and Gangsta Rap with a unique touch of Country Rap, immerses listeners in an energetic and aggressive mood. With thought-provoking lyrics addressing societal concerns, the song is a bold expression of the artist’s perspective.
Take a listen and let us know what you think.
https://foldedwaffle.com/letter-to-the-president-john-anonymous/
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https://obsdmusic.com/index.php/2024/01/06/tracks-of-the-week-john-keenan-after-hourz-breon-s-y-n-d-e-l-nightfloor-mike-dunne-monica-casagrande-miwise-x/
]]>Singer-songwriter John Keenan has released his latest single “Up In My Bed,” an upbeat and catchy track that showcases his unique blend of pop and R&B.
Produced by renowned music producer The iProducers, “Up In My Bed” is a perfect song to add to your playlist for a night out with friends or a dance party at home. The song features John’s smooth vocals layered over an infectious beat, with a chorus that is sure to get stuck in your head.
“I’m so excited to release ‘Up In My Bed’ to the world,” said John Keenan. “I wanted to create a fun and energetic song that people could dance to and enjoy. I hope my fans will love it as much as I do.”
John Keenan burst onto the music scene with his album “Mind of a Madman II,” which quickly gained attention and praise from fans and music critics alike. His unique sound and ability to write relatable lyrics have earned him a loyal fanbase, and “Up In My Bed” is sure to please his fans and win over new listeners.
By: Natalie Patrick
https://www.thehypemagazine.com/2023/02/john-keenan-drops-new-single-up-in-my-bed/
]]>John Keenan, the acclaimed singer-songwriter, has just released a new single, “Up In My Bed,” from his latest album “Mind of a Madman II.” The album features 14 tracks that showcase Keenan’s signature sound, which blends elements of R&B, pop, and soul to create a unique and captivating musical experience.
“Up In My Bed” is a standout track on the album, with its infectious melody and Keenan’s soulful vocals. The song is a tale of love and longing, with Keenan singing about his desire for someone who’s always on his mind. The lyrics are emotive and relatable, and the production is polished and professional.
Keenan has been making music for over a decade and has developed a loyal following with his soulful and honest lyrics. He has collaborated with some of the biggest names in the music industry, including Grammy-winning producer Swizz Beatz and Grammy-nominated artist Maimouna Youssef.
“Mind of a Madman II” is Keenan’s album is already receiving critical acclaim. The album features a range of musical styles, from slow ballads to upbeat pop tracks, and showcases Keenan’s growth as an artist.
By: Michelle Vaccaro
February 12, 2023
John Keenan speaks his mind in his new single, “Toxic.”
The hip hop track starts off as a calm, internal talk about running away from problems. As he keeps expressing his thoughts, his anger and frustration build. The tension can be heard in his vocals and the music. When the chorus hits, so do the heavy notes and rapper Krizz Kaliko. Kaliko comes in as a voice of reason, knocking sense into Keenan’s words and snapping him back to reality. He makes it known that the feelings will pass and he’ll “be okay in a little bit.” The emotionally charged track has a relatable message. It brings to light internal struggles that many people face and emphasizes that there’s light at the end of the tunnel.
“Toxic” is the first single off Keenan’s recently released album Mind of a Madman II.
]]>John Keenan is a Kansas born, Arizona based rapper, musician and hip-hop producer.
He is pleased to announce the official release of ‘Mind of a Madman II’, a sequel to the artist’s 2011 debut album ‘Mind of a Madman I’.
]]>John Keenan is a Kansas born, Arizona based rapper, musician and hip-hop producer.
He is pleased to announce the official release of ‘Mind of a Madman II’, a sequel to the artist’s 2011 debut album ‘Mind of a Madman I’.
After twelve years and 4 albums in between, the follow-up project is now available to stream on every major music platform.
John Keenan recently released his latest single ‘Try & Find Love’.
‘Try & Find Love’ entertains with the smooth sounds of the saxophone, powerful lyrics and stirring vocals.
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John Keenan is a rapper and producer renowned for his thought-provoking lyrics and distinctive approach to hip-hop. John, who was born in Great Bend, Kansas, recognized his musical potential at an early age and began practicing his craft alongside his brother Mark. After graduating from Kansas State University, where he honed his skills as an artist, composer, producer, and engineer, he released his debut mixtape, “Mind of a Madman.” In 2011, he released his debut EP, “One Day At A Time,” followed by his debut album, “Where I Went Wrong,” which combines R&B with various musical influences. In 2013, he published his sophomore album, “Imagination to the Nation,” before relocating to Phoenix, Arizona, where he began working on his third album, “The Illusion of Logic.” The 2016 release of John’s third album, which he produced entirely, featured guest appearances from his brother Mark Keenan, Twisted Insane, Whitney Peyton, and Carla Ayala. In 2018, he released “Late Bloomer,” his fourth self-produced album, and joined Illest Uminati on the Northwest Warpath Tour. The Lucky Rubberband EP was released in 2020, along with the track “What They Say” by Mark Keenan and Layzie Bone of Bone Thugs-N-Harmony. His most recent release is the sequel to his debut album “Mind of a Madman II’. Check out the album and the exclusive interview below:
1. Can you tell us a bit about where you come from and how it all got started?
JOHN KEENAN: I’m from the middle of nowhere. Rap music was the farthest, hardest thing I could imagine. When Tech N9ne said, “Kansas” on a song, it felt like that distant world came to my backyard. My brother and I used to go over this scenario all the time. “We know a guy, who knows a guy, who’s brother, works for a guy, who knows Tech N9ne.” We could’t even believe it. That’s when it became possible.
2. Did you have any formal training or are you self-taught?
JOHN KEENAN: I’m self taught the completely backwards way. If I could do it all over I would’ve learned music theory for like 5 years before recording anything. Abraham Lincoln said something about sharpening an axe before chopping down a tree. I hit the tree with the handle for like a decade and then blamed the tree.
3. Who were your first and strongest musical influences and why the name ‘JOHN KEENAN’?
JOHN KEENAN: It’s the name they gave me. My brother has a litany of cool nicknames, but my only nickname was “flagpole.” I could’t call myself “Flagpole.”
I’m a complete composite of my influences of course and standing on the shoulders of giants. Tupac, Bone, Stevie Wonder, Steely Dan, Whitney Houston, Earth, Wind & Fire, The Spinners. My Mom listened to really cool music. When I went researching I typically realized I liked where the rap songs came from more than the rap song itself. I’m like a walking “whosampled” website walking around.
4. What do you feel are the key elements in your music that should resonate with listeners, and how would you personally describe your sound?
JOHN KEENAN: I have no idea what will resonate with someone. I try and write what I feel is true the best I can and make beats that spark something in me. There’s no way to really describe my sound because I don’t understand it. I just try and follow what calls out to me.
5. For most artists, originality is first preceded by a phase of learning and, often, emulating others. What was this like for you? How would you describe your own development as an artist and music maker, and the transition towards your own style, which is known as HIPHOP?
JOHN KEENAN: It’s taken a very long time to work that influence DNA into my system maybe. I can listen back to stuff 10 years ago and hear who I’m emulating. It’s like you imitate someones jumpshot and as you get stronger it kind of grows into you. I see hip hop partially as a big creative writing competition.
6. What’s your view on the role and function of music as political, cultural, spiritual, and/or social vehicles – and do you try and affront any of these themes in your work, or are you purely interested in music as an expression of technical artistry, personal narrative, and entertainment?
JOHN KEENAN: I think it’s all of those, mostly spiritual. I try to stay away from social stuff, but we all have our own beliefs. I’m not going to censor mine because you may be offended. What you think isn’t my business. It also changes. I’m not the same dude I was 10 years ago so my perspective is totally different.
7. Do you feel that your music is giving you back just as much fulfillment as the amount of work you are putting into it or are you expecting something more, or different in the future?
JOHN KEENAN: I believe is your ‘why’ is right, you get a for sure, 100% match in fulfillment. I get paid big big deposits when I’ve struggled with a song and finally it sounds good in the car. If you attach that song to some result in the world you’ll always be disappointed. Payment is in the process.
8. Could you describe your creative processes? How do usually start, and go about shaping ideas into a completed song? Do you usually start with a tune, a beat, or a narrative in your head? And do you collaborate with others in this process?
JOHN KEENAN: Typically a rhythm and I’ll try and build around it. I’ll often then delete the scaffolding it’s built upon, which collapses it, but it maybe goes another direction. I’ll write it and arrange it, but I’ve been too crazy trying to plan it too much when it gets to those stages.
I look at songs as % amounts. If I can get it to 95% of where it could be I’ll call it done. A 5% song may just be a melody. An 80% song may be written with something off I can’t put my finger on. What makes it to my album are just the songs I could get to that 95%. I try and hear it for what it could be not what it currently is.
9. What has been the most difficult thing you’ve had to endure in your life or music career so far?
JOHN KEENAN: Me for sure. I’ve ruined everything. Self doubt, insecurity, fear of what others may think, fear of not being good enough or talented enough. Trying to hide in different ways. I’m my biggest obstacle and it’s literally been a war with myself. I’ve accepted it, quit being a tyrant about it I think. I think I got so tired of fighting I just decided to trust my gut.
10. On the contrary, what would you consider a successful, proud or significant point in your life or music career so far?
JOHN KEENAN: I had this concert with this Kansas City artist, Mr. Stinky, when I was 18. It was a total disaster. Like 6 people showed up. I was embarrassed and defeated. I had data though and realized if I changed some variables maybe I could make it a success. Doing a second show unlocked everything for me. I needed early failures to reassess where I went wrong. That’s the trick to life I think.
11. With social media having a heavy impact on our lives and the music business in general, how do you handle criticism, haters, and/or naysayers in general? Is it something you pay attention to, or simply ignore?
JOHN KEENAN: I’ve been a critic and hater and naysayer myself, still am. I try and watch myself more now. Not everything is for everyone. We’re all different, but have more in common than we think.
12. Creative work in a studio or home environment, or interaction with a live audience? Which of these two options excites you most, and why?
JOHN KEENAN: Home environment. I’ve had a studio in my bedroom for like 20 years. Often I’ve made the “bedroom” the studio and slept somewhere else. I’ve never been married or anything so I’ve basically been sleeping in apartments turned into recording operations. I had a video set up in the kitchen of my last APT. What am I going to do with a kitchen? I just eat tuna straight out of the can hovering over the trashcan and burritos in the car driving with my knee.
13. Do you think is it important for fans of your music to understand the real story and message driving each of your songs, or do you think everyone should be free to interpret your songs in their own personal way?
JOHN KEENAN: A bit of both. Mostly it should be about the listener. If you’re listening to “Goo Goo Dolls” or something you wanna look out the window and think about some girl, not the singers personal story, I don’t know that dudes 8th grade girlfriend or whatever. That’s what connects us. That feeling matches mine. Finding out the story though is cool too though. Stories connect us, music and emotions connect us. Let’s do rap stuff and connect through cool stories and fire beats yo.
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]]>John Keenan’s latest album, Mind of a Madman II, is a powerful exploration of the human spirit and the power of following one’s dreams. The album is a follow-up to his first mixtape, Mind of a Madman, and continues to explore his journey from hitting rock bottom to becoming a successful rapper and producer.
The album opens with “First Entry”, a track that sets the tone for the album and introduces the listener to John’s unique sound. His rhythm-perfect vocal flow carries reflective and meaningful lyricism above a mix of snapping beats and a colourful blend of instrumentation. The second track, “All Those Games”, is a standout track that showcases John’s lyrical prowess and ability to craft a compelling narrative featuring the vocals of Samantha Dalton.
Throughout the album, John’s talent as an artist is on full display. He seamlessly mixes a variety of genres, from hip hop to R&B, creating a cohesive and dynamic sound. The collaborations on the album are also a highlight, with artists such as Samantha Dalton, X-Raided, and Krizz Kaliko adding their own flair to John’s sound.
Mind of a Madman II is an album that is both personal and universal. John’s journey from a dark place in his life, through his recovery and now thriving music career is inspiring, as well as his message of following your dreams is one that resonates with listeners from all walks of life. The album is a testament to the transformative and healing power of music and a celebration of determination and the human spirit.
Overall, Mind of a Madman II is a must-listen for fans of hip-hop and anyone who appreciates powerful and introspective music. John Keenan is a talent to watch, and this album is a brilliant showcase of his ability as both a rapper and a songwriter. With its thought-provoking lyrics and infectious sound, Mind of a Madman II is sure to see John Keenan win over more fans around the world.
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https://www.lostinthemanor.co.uk/
Hello John Keenan. What strengths do you have that you believe make you a great musician?
I don’t believe I’m particularly talented, I just try and be really persistent and consistent and over time it has just added up I think.
Who inspired you to make music?
A ton of people have and still do inspire me. My brother Mark and Grandma have probably been my biggest influences. My Grandma is a classical composer and I’ve been making songs with my brother for 20 years now.
Your latest release is 'Mind of a Madman II'. Can you share with us the background of its creation and did any unusual things happen during its creation?
Mind of a Madman II was a side project while I was making this album called “Wreckage of the Past.” I’ve been working on “Wreckage of the Past” for four years. I got the courage to quit my job to finish it and the whole thing imploded on me in September. It wasn’t ready and totally fell apart. I had some deadlines to meet and this totally different thing, “Mind of a Madman II” just materialized. It was very unusual. I didn’t plan on making it really, it was more of a side project.
Can you shortly describe each of the tracks that are on the album?
Some stick out to me more than others off the top of my head. The song about cryptocurrency was a disaster. I wrote it with my vocal coach and went all over Phoenix trying to mix it. I coudn’t get the mix right, no one I hired could. Robert Rebeck absolutely nailed it. I really was put through the wringer with that song. It was like a thorn in my side for a year. “Still In Love” pops out too. I made that in secret and I never thought anyone would ever hear it.
How do you stay up-to-date with the latest musical trends?
I don’t follow musical trends at all. I want to do the exact opposite of whatever is trendy. I’m wearing a suit on the cover partially for that reason. You don’t see young men in suits. I rarely wear suits, but I wanted to try and portray the exact opposite of what we typically see.
What do you feel is the best song that you have ever released and why?
I think, “The Journey” from my first album, “Where I Went Wrong” in 2012 because it’s so raw and real. It was my last beat using Reason. It was shot in my sober living room. It really shows a time in my life in an honest way.
Why do you want to record and release your own music?
Sometimes I don’t know if I want to. I like the challenge of it. I like to bring ideas to fruition and see projects through. I think I find God in music or something. Like maybe a melody or phrase or something, every once in awhile, pops through and for a moment you catch something you feel is from somewhere else.
Please discuss how you interact with and respond to fans.
I think it’s weird. I don’t see how anyone could be a fan. I don’t even know what I’m doing. I just try and be nice and say thank you, redirect the conversation to them if I can.
What advice would you have for someone wanting to follow in your footsteps?
Follow your heart. Forget the money or fame or any of that nonsense. Have fun, don’t overthink everything like I have. Take more risks than I have. Let it unfold as it wants.
What are your plans for the future?
I’m hopefully done planning. My plans suck and never work. I’m trying to get out of the planning business. I didn’t plan this album. Everything is out of my control.
Featured on Find No Enemy, Sinusoidal Music, Music Arena GH, Music Talkers, and various playlists, singer-songwriter John Keenan is reaching audiences on an international scale. We speak with the alternative pop artist about his new album, Mind of a Madman II, what music means to him, future plans and much more!
OSR: What made you decide to pursue music as a career?
Keenan: I have no idea. Literally no clue. I think I know, but then I don’t. I don’t know how I ended up here. I don’t even know where I am.
OSR: What does music mean to you?
Keenan: I don’t know. I think maybe it’s playing with energy or something or trying to imitate God or something. Maybe capturing a moment or feeling on a medium. Mine happens to be sound I guess, like a photograph would capture some moment in time from a perspective. For me maybe it’s like, “this is how I can best describe this perspective or this feeling on this medium.” It’s wildly incomplete too. It’s just the faint essence.
OSR: What do you hope people take from your music?
Keenan: I hope people enjoy it. I hope more that they pursue or move toward what beckons them or sparks their soul. Maybe it’s painting or writing, cooking or gardening. I don’t know what someone else’s deal is, but the fun is in the process.
OSR: What can you tell us about your album Mind of a Madman II?
Keenan: It sort of assembled itself. I wasn’t planning to make it really. I had a totally different everything in mind. A different vision for it. It ended up better than I could have hoped though. Some songs are 5 years old, some I wrote the week I had to send them in. I had a lot of help along the way for sure.
OSR: If you had to recommend one song from Mind of a Madman II to a new listener, which would it be?
Keenan: ‘Try and Find Love’ because it reminds me of Commons song, ‘The Light’. I really loved that song as a little dude. I don’t remember making the beat really and I wrote the lyrics really quickly in the summer of 2021 because I wanted to take a nap. I wrote big pauses just because I was lazy. I think I made the beat in 2020. When my friend Samantha came and re-recorded my chorus it just worked. The song would be just some weird dude singing with himself without Samantha. She really made the whole thing work.
OSR: You collaborate with various artists on Mind of a Madman II. What do you think are the benefits and challenges involved with collaborations?
Keenan: Samantha Dalton was the biggest. She’s on 4 songs. Collaborating with her is great fun. Having Robert Rebeck mix it is literally a dream come true. I met the guy once in 2010. He was like Michael Jordan to me or something. Having X-Raided & Krizz Kaliko on there is really cool too. I just can’t even wrap my head around the idea that Robert Rebeck not only knows my music but can’t fix my disasters. I’m pretty sure he’s a wizard or something.
OSR: You mention that Mind of a Madman II was conceived when you were in a state mental hospital. Do you think mental health is being adequately represented in the music industry?
Keenan: I don’t know. We’re all a little crazy. I’m still totally nuts I’m sure.
OSR: What advice do you have for people dealing with mental health difficulties? It’s a bit of an odd question but I’m curious.
Keenan: Don’t believe your mind. Get out of your head. I have all kinds of stupid thoughts all day long. Doesn’t mean any of them are true or false. It’s probably a lifetime practice of letting go of what I think it ought to be or how it is. It’s tough but just chill. Check out that bird or fly a kite or whatever. Try and be where your feet are. Accept what is. Don’t beat yourself up. You don’t need to do anything but be you. That’s tough to do sometimes and impossible to understand. We’re always striving for more. To have more or be more, be somewhere else or someone else. It’s all in our heads and makes us miserable and afraid. My struggles with mental health broke me all the way down to my core where I realised, for a second, everything is perfect. My mind has collapsed in on itself like 5 times. Feels like the world is ending. Looking back was just a rebirth.
OSR: How would you describe your music?
Keenan: All over the place. That’s what I wanted to make. I just wanna smash cool stuff together from different genres and try things artistically that scare me. I wanna put worlds together that people would think don’t belong, especially in song selection. My dream would be to make an album with the hardest, most intricate spitters on the planet with the hardest beat directly after a country song and before a Frank Sinatra-sounding thing. I want people to not know what to expect. Why do we label music anyway? We’re just moving through time basically on the same harmonic scales.
OSR: What future plans do you have for your musical career?
Keenan: No plans really. I just want to make cool stuff. I like tight beats and cool harmonies and chords that send a chill up my spine. I seriously just want to tinker all day and screw around with stuff. That’s all I’m really doing. If people like it that’s a bonus. I have fun making it. The process of screwing around is the fun part. Anything extra is a bonus.
Many thanks to John Keenan for speaking with us. For more from John Keenan, check out his official website, Facebook, Instagram and Spotify.
This artist was discovered via Musosoup #sustainablecurator
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John Keenan, Kansas born, Arizona-based rapper, musician, and hip-hop producer, is pleased to announce the official release of ‘Mind of a Madman II,’ a sequel to the artist’s 2011 debut album ‘Mind of a Madman I.’ After twelve years and 4 albums in between, the follow-up project is now available to stream on every major music platform.
The 14-track album fuses pop, R&B, and rap to explore contemporary themes and push the boundaries of traditional hip-hop. With features from Samantha Dalton, Krizz Kaliko and X-Raided, Keenan fearlessly blends comedic songs with thought-provoking lyrics. From the cheeky tone of ‘All Into Crypto’ to the touching feel of ‘Pain We Know,’ each track takes listeners on a distinct emotional journey.
The first single, “Turd Ferguson” is a tribute to the late Norm Macdonald and his impersonation of Burt Reynolds on SNL’s parody of Jeopardy. “I’ve been working on a second ‘Mind of a Madman’ since 2016,” said Keenan. “I was attempting to complete an album called “Wreckage of the Past,” but it wasn’t it’s time.”
]]>Hip hop artist John Keenan’s latest rap album “Mind of a Madman II” was released on the 30th of January from Scottsdale, United States.
I feel shy writing this review. John Keenan’s mastery of the word far supersedes my own. There is not much I can say that this incredible artist has not already said better. He had this to say about his latest album:
“Mind of a Madman is a challenge for you, not a cd about me. I’m challenging others to become the madman and do that impossible thing.”
We may be witnessing the next phenomenal rap artist. The mastery of lyricism and delivery on display throughout “Mind of a Madman II” is indescribable, and the charismatic nature of John Keenan on real topics just makes this whole album pure art.
John Keenan wrote his latest album as a sequel to a previous one he wrote and released almost thirteen years ago, “Mind of a Madman” and it came from a place of real personal struggle for Keenan, whether it be his fight with addiction, or grappling with mental health. John Keenan was on the brink of collapse just prior to writing the first album, and he came back strong and pulled through it all with four album releases since.
By the time I reached track four of the album, “Rap Cat” my jaw dropped and my mind was blown. I could not believe what I was hearing, and I took my headphones off just to make sure that I wasn’t hallucinating this voice as if I could hallucinate something this creative and tongue in cheek.
The album as a whole has it all, from top-tier production, feats of amazing artists, and diversity in styles and genres, to topics personal, social, political, and even economic. John Keenan is a phenomenon that we may never see the like of again.
]]>John Keenan’s album “Mind of a Madman II” is a powerful call to action for anyone looking to pursue their dreams and break free from societal expectations. Through his own journey, Keenan inspires listeners to embrace their inner “madman” and chase their passions, no matter how unconventional or seemingly impossible they may seem. The album is driven by a blend of energy, motivation, and introspection, encouraging listeners to reflect on their own experiences and find the courage to chase their dreams. The lyrics are raw, honest, and insightful, providing a window into Keenan’s journey and the struggles he faced along the way. The music is a fusion of different styles, blending elements of rock, hip-hop, and alternative, creating a unique and captivating sound. Overall, “Mind of a Madman II” is an album that will challenge and inspire listeners to pursue their passions, no matter what others may say. It’s a reminder that anything is possible and that we should never give up on our dreams.
From “First Entry” to “Say It Again”, the entire record feels like a fully fledged journey, the kind of intense and and revealing journey into your own inner self that’s bound to wake up what’s been dormant within.
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John Keenan is an incredibly successful rapper, producer, and engineer within the hip-hop community. After discovering his musical talent early on and creating his first mixtape, Mind of a Madman, which sold over 1,400 copies, he established an indie label and released his EP, One Day At A Time. Following this, John released The Illusion of Logic and moved to Phoenix, Arizona. In 2018, he released Late Bloomer and joined the Illest Uminati on the Northwest Warpath Tour.
In 2020, he released The Lucky Rubber Band EP, featuring the single “What They Say” by his brother Mark Keenan (featuring Layzie Bone of Bone Thugs-n-Harmony). Along with overcoming addiction and using music as a creative outlet, John Keenan has had an impressive and lasting career in hip-hop.
John Keenan’s progressive hip-hop album, Mind of a Madman II, is the long-awaited follow up to the 2008 classic. Twelve years later, it’s finally here and allows listeners a deep look inside the experimental and ever-evolving mind of an artist.
John Keenan’s latest album is full of carefully composed rap elements, fused together with pop and R&B elements. The clever and creative way in which each track has been blended together speaks to the artist’s passion and dedication to creating meaningful art. While the album as a whole is a journey inside the mind of an artist pushing the boundaries of hip hop, every individual track is a statement in itself.
The tracks on this album are skillfully crafted with a unique blend of thoughtful lyrics and infectious beats. The lyrics of the songs hit hard and raw, evoking a range of emotions from listeners. “Mind of a Madman II” showcases Keenan’s considerable skill and his understanding of hip-hop. His clever wordplay and lyricism are impressive and poignant, making for a truly satisfying listening experience. The beats on the album are hard-hitting and original, and they perfectly complement the subject matter of the lyrics.
The US-based producer has managed to capture the perfect balance between electronic compositions and classic hip-hop sounds. At the same time, he’s not afraid to explore new and creative ideas with each track. Throughout the fourteen-track album, the energy of Keenan’s music will take listeners on an unforgettable journey.
Overall, “Mind of a Madman II” is a must listen for any hip-hop fan. John Keenan’s unique twist on classic hip-hop sounds in combination with his sophisticated eccentricity create an album everyone should experience. It is a fitting sequel worthy of twelve years of anticipation and anyone who listens won’t be disappointed.
Follow John on: Website, Facebook, YouTube, and Instagram.
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The American Pop Singer and Composer John Keenan has just enchanted everyone with his newest composition called All Those Games, mainly due to the very well chosen feat in the song. With a beautiful musical balcony he calls Samantha Dalton to make his work of art even more perfect, with a simply fascinating duet they are enchanting the world.
It really is impressive to see the way that the voices fit together perfectly and together they manage to bring a musicality that is pleasant and totally desirable to hear.
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When I woke up the first morning after the first show of the Northwest Warpath Tour in 2018 I had a startling revelation. "My dreams came true. And there's nothing here."
We stayed on an Indian Reservation, or "The Rez" as they called it the first night of the tour. I felt like such an imposter and fraud. Afraid I'd be found out, I did the first show. The next morning overlooking a lake that looked like a postcard I realized I wasn't a fraud. Not only did my dreams come true, but it broke my heart and quickly turned into a nightmare.
For 20 years I chased a goal and missed everything along the way. I missed everything important, pushed and manipulated everything & everyone. I was selfish and self-seeking and only cared about one thing. I basically felt like the biggest piece of shit of all time. When we had a couple days off I didn't leave my hotel room and cried monster tears the whole time. I saw how evil and terrible I was and had been chasing this stupid dream for so long by any means necessary.
"Be careful what you wish for because you just might get it" is hella true. I found no pot at the end of the rainbow for sure. I got a clear view of the wreckage of my past. It wasn't bittersweet, it was straight up bitter.
After some months after I got home I knew what I needed to do. I started making a double album called "Wreckage of the Past." This time from a different perspective. Music was no longer my God.
I made hundreds of beats over the next few years trying to record the follow up to my "Late Bloomer" album starting over from square one. I completely re-learned my voice or maybe started discovering it for the first time.
I wrestled with the "Wreckage of the Past" obsessively over the next 4 years and knew my hard hat, lunchpail mentality would eventually beat it into submission. Some songs I did over 9,000 takes on. I know it's in the thousands because I can see the playlists take numbers and many songs I recorded 10+ times.
It's nothing for me to record each verse 3 or 4 hundred times per sitting and when I moved to my Grandma's in 2021 that's exactly what I did. I thew or gave away everything I owned except clothes and equipment.
I told myself one of two things is going to happen. I'm either going to die or finish this fuckin album. I just didn't think I'd actually die.
In maybe September I quit my job, quit everything in my life, burned every boat & bridge and went head first into finishing "Wreckage of the Past." I had it planned perfectly. It beat me.
For the first time I lost. It killed me. It killed something in me. I saw why too. It's alive. It's art. It has it's own timeline. It can't be told what to do or when to complete itself or how to exist. I saw that I'm not in charge. I'm not the boss of it. I'm only in service of it. I can't tell it when to bloom. I can't tell it what it should or shouldn't be. I'm not the boss of it, it's the boss of me.
Basically as soon as I gave up at my lowest point the engineer called after I thought he was long gone asking if I had the files ready. I told him the whole thing imploded on itself.
"Mind of a Madman 2" was always a frustration outlet. I started working on it in 2016 or so and even thought I completed it once. When I'd get pissed and hate making music I'd go work on MOAMM2 for a couple weeks until I felt like making beats again. It was suppose to be a mixtape type thing with other producers so I could write and release tension. Mixing and production were already done by producers better than I so it's easy to just find beats and write.
In a panic I started looking at the MOAMM2 files and realized I basically had an album I could send in. Like I robber I went raiding project files from Samantha and Mark. I called Mark trying to con him out of some of his best songs in progress, but he knew better.
Somehow, in like 10 days, I went from one of the lowest points in my life to MOAMMM2 recorded and being mixed. Samantha and Cousin Ian came through pulling me through the finish line and I was like, "what the fuck was that??" I wasn't even trying to make that cd. All 14 songs were recorded in about 10 days plus a couple we later cut. Strangest thing ever.
My head is still for sure in a pretzel, but maybe I'll extract the correct lessons from the whole ordeal. Art is alive. It has it's own timeline. It will be what it wants and bloom on it's own schedule. No one was ever even suppose to hear several of the MOAMM2 songs. In desperation I decided to finally listen for a change and get out of the way.
When I go back to working on "Wreckage of the Past" this time I'm going to let it work on me and learn to work WITH it.
The music shit has literally nothing to do with music, but everything to do with life.
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https://hotrockmetal.blogspot.com/2023/02/todays-hot-songs-922023-hard-rock-indie.html
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John Keenan’s album, “Mind Of A Madman II,” is a powerful and introspective journey through the artist’s mind. The album, which contains 14 tracks, marks Keenan’s sobriety birthday and is a follow-up to his 2008 mixtape, “Mind of a Madman Mixtape,” which was recorded while the artist was in a state mental hospital. The album is a testament to following one’s heart and the journey it can take you on. The flow in the songs is raw and real, with a nice blend of old school hip hop and R&B vibes mixed with modern trap beats. The album also features noticeable guest appearances that add to its overall appeal. Listening to “Mind Of A Madman II” from start to finish is a must, as it takes you on a journey through the artist’s thoughts and experiences. Overall, it’s an impressive and thought-provoking release that fans of hip hop and thoughtful music will surely enjoy.
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John Keenan is a rapper and a producer who creates vivid music that digs deep into introspection with his deep lyricism. John took birth in Great Bend, Kansas and discovered his love for music at a very young age and began working on his skills with his brother Mark. He attended Kansas State University where he chiseled his skills as an artist, writer, producer, and engineer. He made his debut with his mixtape named ‘Mind of a Madman’.
John Keenan recently released a second part of his first mixtape, which is an album with 14 tracks. This is an album that is packed with some great tracks that will surely make your mind flip. This is a perfect album if you’re into hip-hop that features some deep lyrics and music that bangs. This is going to be an action packed rollercoaster ride, so fasten your seatbelt and be ready.
The first track on the album is named ‘First Entry’ which is one of the most hard-hitting track of the album. This is the intro of the album and surely a good one. The production is well-executed and the lyrics set the vibe for the album. The track ‘First Entry’ is followed by ‘All Those Games’ which features Samantha Dalton who took the track to a whole new level. This is a mellow one with some wavy melodies and vocals that are soothing.
The third track on the album is ‘Old School’ which is a track that will send you back to your good old days. The track is surely something very new that showcases the artist’s versatility. The next track is named ‘Rap Cat’ which is a direct shot at all the rappers out there. This is surely a very bold move as a rapper! This is one of my personal favourite from the album.
The next two track on the album are ‘All into Crypto’ and ‘Turd Ferguson’ which are both great tracks that are innovative and unique. Both these tracks are surely the main take from the album, according to me. Do give it a go and you will not be disappointed. ‘Scarecrows’ is the seventh track on the album. This track features X-Raided who brings a whole new sauce to the album. The track has some amazing flows intertwined with some great lyrics.
https://sinusoidalmusic.com/2023/02/08/john-keenan-mind-of-a-madman-ii/
]]>John Keenan – Mind Of A Madman II – Album Review
I tell ya…four or five years go by and they start wondering if the man remembers them at all, ya feel me?
I’ll admit to being in my forties and now preserving a bit more hard-drive space in this brain of mine, but I ain’t goin’ so far as to purge anyone out there that’s made memorable music in the past or present – and John Keenan is still included in those names I keep handy for quick reference to this very day. He made an impression, and for myself personally, that’s a lifelong thing – hell, I’m more impressed that he’d remember someone like me as opposed to the other way around, you know? I’m just some A-hole on the internet that spouts a bunch of shit, pretending like I know something about anything…so to have a guy with the talent of Keenan keep ME in his rolodex is actually quite an honor, I assure ya. Our history traces all the way back to nearly when I first started writing reviews for sleepingbagstudios – it was 2013 when I reviewed his record Imagination To The Nation, and it’d be about five years after that when I’d review some singles from his record called Late Bloomer. Oddly enough, you gotta dig pretty hard on the internet to even FIND Imagination To The Nation…but Late Bloomer is out there, along with other records he’s done before & since…dude’s been in the game for about a decade or so at this point.
I can promise ya…I’m not making any of this stuff up – Imagination To The Nation was a thing, and it happened. If it didn’t, and I’m just lying to ya, then what exactly am I holding in this photo right here?
I told ya John-o…I don’t forget. You’re in the archives homie – forever.
Anyhow. He’s got a new album, which is clearly a plus…he’s also “All Into Crypto,” which is probably a minus. “Instantly it fell” as he sings in the hook…so there ya go…even when you’re interested in that stuff (I’m not, can you tell?) there’s still plenty of risk I guess. It’s interesting…for reasons on display and reasons that occur behind the scenes too…I was informed that John’s come a long way from where he started…and perhaps in some ways, that’s gonna prove to be true. To me, listening to “All Into Crypto” basically took me right back – this is essentially the exact same dude I heard back in the day, making music right in the here & now. Considering the fact that I liked him back then, it’s really not a bad thing – but to say a track like “All Into Crypto” would be a part of what’s gonna prove he’s moved leaps and bounds since the last time I listened would be a bit of a stretch y’all. What I like is that a lot of what I remember & what I love about Keenan’s music is still completely intact…the humor is still there, the man still sounds great whether he’s rhyming or singing in his hybrid style…the hooks are still sharp for sure, and come atcha from the concept on up. If you’re listening closely, it’s the spoken-word added into this track that’ll tell ya he’s not as “All Into Crypto” as the title might imply…this is dry humor yo, and it’s always been a classic staple of John’s music and a true weapon he can rely on within his arsenal.
A track like “First Entry” probably reveals a bit more growth to an extent…it’s got a bit more of an updated sound to it that should prove to be more relevant in that regard. The reality is, John’s got a signature style & vibe whether he wants to admit it or not. I can get that perhaps someone who ain’t been listening closely might not hear it as much and would be more apt to tell the man he’s MOVING MOUNTAINS with how far he’s come from way back when. The facts are what they are – he was great then, he’s still great now. Sorry yo…it’s what I got, take it or leave it. Dude’s got precision, bars, and clever moves in the production with layers of background sound echoing what he’s rappin’ about – in addition to equally noticeable moves in how he can stop on a dime, shift, and pivot when he’s dropping rhymes. He’s still a qualified wordsmith, and still just as effective in short cuts like “First Entry” as he’s ever been. There ain’t a whole lot of reasons to change what isn’t broken…but sure, he’s refined a little.
At the risk of having the guy hate me, I gotta play it straight with him – I’m not really hearing too much that wouldn’t have been able to fit right onto Imagination To The Nation back in the day when it comes to the content or execution. Having Samantha Dalton show up on “Games That You Play” does diversify the sound a bit…but John’s still flexin’ in the same way that he used to. We could argue back and forth about whether or not he’s doing it more tightly than he was way back when – he probably IS for what it’s worth…chances are, what used to take him ten tries in the booth take him two now, and that’s great. Sound-wise…not a whole lot different, that’s all I’m saying. Again, as a fan, that’s a good thing – growth can be overrated at times…like I said, if ain’t broke, don’t try to fix it too much…you don’t wanna leave behind what was working and what gained ya a fan-base to begin with, you feel me? Production-wise, I can hear a bit more dynamics and capabilities on the display there I suppose…but when it comes to Keenan…I dunno man…sometimes a signature style can betray ya in all the right ways, and it can be the last thing that the person that actually HAS it, would notice. From the outside listening-in though, it sounds like the journey of John Keenan is continuing on from where it left off – and that’s really all good. “Games That You Play” would make for a solid single…people dig on collaborations, and this one works.
When it comes right down to it, John’s got a style & vibe that pretty much puts every track in contention for becoming a single though…he’s naturally gifted in that department, and knows how to deliver the hooks. From there, it’s really all about how much he wants to choose to dirty somethin’ up with the lyrical content…which he will quite often. “I’ll Say It Again” goes into nut-size at one point…you get it…it’s that kind of thing. Like I always tell ya, we’ve all gotta write about something. Keenan’s always harnessed the power of the platform with ease…he’s free to be himself, say whatever he wants to say, and he’s never shied away from that, which I dig. He’s got strong hooks on “I’ll Say It Again” at the roots of the chorus, and he’s equally impressive as he raps out the verses…all-in-all, it’s another track that’s fairly guaranteed to get the people listening & turning up Mind Of A Madman II…but they all will really.
“Old School Mix” is where I’m at for sure…this track’s loaded up with nostalgic imagery and energy from the 90s era, and Keenan knocks the vibe of this cut straight on outta the park for as laidback as it truly is. Name droppin’ from Master P to Boyz II Men, givin’ it the perfect sample to add in as the main hook…all-in-all, “Old School Mix” actually felt like it was about a whole decade too short…I’d have taken a whole lot more than just the two-minutes we get here. From Starter jackets to Jordans, John’s thought all the details through brilliantly, and come at this cut with genuine sincerity – you can feel the love for the 90s here, and it’s perfect. Clearly you’re gonna have to have a bit of background context to get the most out of this particular track (sorry youngins) but if you’re in your forties like I am or on your way, you’ll have a lot of love for “Old School Mix” without a doubt. They say ‘write about what ya know’ – and this is a stellar example of why you wanna go about doin’ that…this feels natural & really well-suited to Keenan.
That 90s thread might be a bit more tangible within the theme of a song like “Old School Mix,” but it’s genuinely a part of the sound of almost everything John creates. You fully expect the guy to launch into a “girrrrrrrrrrrrrrrrrrrrrrl, these nights have been so cold without you…” etc. etc. at any time – you know what I’m talkin’ about if ya been there. “Pain We Know” explores that type of sound successfully – like I was tellin’ ya, write about what ya know…and sound like what you’re comfortable with listening to and you’ve been influenced by along the way – it ain’t a bad strategy, I promise ya. Look and listen to John’s example here, he’s generating results. You always run that risk of, if you go too far with it, you become a parody…something like what you’d expect from the Lonely Island crew…but if you play it right, it’s a natural fit that has a tributary aspect to it you’ll respect, and that’s where Keenan’s bread and butter is. “Pain We Know” is a solid cut…the clarity and production on the music is stunning, the backing vocals and hooks are on-point, the whole vibe has depth to it from the sound to the sentiment…I think the people out there listening will really dig what they find on this jam, and find it highly relatable as well.
We all do certain things really well, and other things we try don’t quite live up to what we do best – we’re all familiar with those scenarios, because we live’em. Sometimes it can go deeper than that – like, for example, having a track like “Pain We Know” give you a glimpse of the more down-to-earth persona of John, which makes the transition into the more amped-up personality-driven “Rap Cat” actually a bit tougher to absorb. Don’t get me wrong – “Rap Cat” jams…there’s a ton about this track that’s straight-up sick to listen to, and Keenan flexes a ridiculous amount of skill from the writing to the execution of it all…but coming right after “Pain We Know” might give this track a bit less of an advantage than he might assume. So you see, it’s tough when you’ve got a whole bunch of different aspects to the personality you have and the things that you’re capable of…too much of one and your album gets too serious, too much of the other and it’s not serious enough…and finding the balance if you ARE gonna do both, is basically impossible. Especially to an asshole critic like myself that wants everything his way at all times. Best advice I’ve got for you listeners out there is to not take it all too seriously like I tend to – “Rap Cat” is a rad-ass track…I suppose what I’m really saying is that it might not get the credit it deserves where it currently sits in the lineup of this record. Normally, I’m way more partial to a track like “Pain We Know” – and ultimately, I think I still am – but the way that Keenan skewers thug-culture and those that think they’re really hard & want to step to the mic with a “ring and a chain” thinking they’re all-that…I mean, we’ve all seen it…and we all recognize what’s smoke and what’s real – John clarifies it all here perfectly. There’s more to “Rap Cat” than just crackin’ wise – John’s truly making genuinely valid observations too.
I might admit to a track like “Scarecrows” being one of the few I’d feel like John probably couldn’t have written back in the day when I first started listening to him…at least for the most part. Enlisting the verbal assistance of X-Raided to pass the mic to, these two bring their authentic A-game to this track, and without question, come out with one of the freshest cuts of the bunch. “Scarecrows” is insightful, yes – but it’s more than that…it’s ambitious on a performance-level too. Like…listen to the way it begins for example…there’s really not a whole lot more than Keenan’s voice to provide the structure when it comes to what we hear, and he has no problem at all carrying the weight. “Scarecrows” is actually a really rad track on a minimalist level…there IS music and it does play a more significant role as the hooks hit ya, but really, it’s still not super-involved – which leaves the real hooks to the personality of these emcees to make the difference and pull us in. They’ve got no problem with that, lemme tell ya – both John and X-Raided sound at their best on this track…”Scarecrows” is innovative, creative, and compelling – I’m of the mind that it’s definitely one of the most significant cuts on Mind Of A Madman II, no doubt. I like the musings on the heart & the mind, I love that both rappers have their own thing goin’ on, the hooks are bulletproof, and the execution is entirely flawless – so I ask ya, what’s not to love here y’all? Musically, it might be minimalist by design, but everything you’ll hear is produced for maximum effect.
It’s probably fair to say that the material really starts to surge forward around track five on-forward, resulting in a mid-section to Mind Of A Madman II that hits the mark on every level for different reasons. Like I was tellin’ ya, “Rap Cat” is the cut that actually sticks out the most, but not why you’d think it would…it’s the anomaly between tracks five & nine, which ultimately reveal more of Keenan’s serious side than the dude with the jokes. I think I’d probably go as far as to say that, after having a good spin through this record several times, the real single in this lineup of single-worthy potential you’ll hear, is found right there in track nine – “Still In Love With You.” Honestly, I don’t think there’s anything at all about this track that’s not geared to get your attention…and within half a spin, by the time you reach the chorus hooks, it’s already game over and you just don’t know it yet – you’re already hopelessly addicted to this cut, I assure ya. By the time you reach the end of it, you’ll be reaching for the repeat button…and from there, you might very well just be inclined to hit it up a couple more times – John has put together a completely stellar cut on “Still In Love With You” where the verses are great, but the chorus brings everything to that next-level we really want to reach on this side of the speakers. I’ve heard many impressive cuts from this guy throughout the years, and clearly you can tell I’m a fan of the man…but I gotta say…I think the John might very well exceeded every possible expectation and wildest hope I could have had for his music with this track – “Still In Love With You” is audible perfection, 100%.
Yeah…I mean…don’t get me wrong, I instantly laughed out loud the minute I heard the way “The Way I Lie” started up, as it’s intended to accomplish…it makes an impact, and that’s positive. Do I want that on the same record as “Still In Love With You,” or coming right after “Still In Love With You though? I honestly do not know. I mean, I think I know…but I don’t know. The reality is, “The Way I Lie” is almost too much fun to pass up now that I know it exists…but it is really hard to say whether or not it belongs on the same record as the more serious content, you feel me? It’s a whole lot of fun when it comes right down to it, but John keeps setting us up to take things more seriously right before he’ll drop one of his funnier tracks afterwards…and it creates a bit of a push/pull energy that I can’t be sure is necessarily going to work for everyone listening. Track by track on an individual basis, Keenan’s got a whole lot to work with and each cut has the potential to reach an audience for sure…it’s having them all together that makes me question things…there is part of me that thinks he might be better off choosing one direction or the other and sticking with that. It’s really tough to say…”The Way I Lie” sets up a great debate to be had, that’s for sure – the back & forth between John and Samantha Dalton making her reappearance on the record is a real highlight in its own way too. I feel like it’s a bit polarizing in the right way, you know what I mean? We’ll all talk about what we experience on a record like this, and there’s merit in that type of approach…it might not make for the most cohesive listen in a way, but at the same time, it’s memorable for the way it flexes its humor & shifts between its more serious tracks. Brad and Linda sound God-awful though bro…stay strong Mr. Keenan…and stay the heck away from’em.
I think I was the most perplexed by “Try And Find Love” though, if I’m being truthful with ya. This is…like…you know…normal? I’m not necessarily saying that’s a totally bad thing – the execution is spot-on and professional…Samantha makes another appearance and sounds spectacular in the hooks…but yeah…I suppose the material itself is just like…you know…a little more regular than we tend to expect from John? It doesn’t quite have the specialness or sincerity we love in the serious stuff, it’s not laced with enough jokes to be on the humor-side of his catalog either…it’s just like…you know…right there in the middle of the road, waiting to be run over by a critic like me for not committing enough to either side of this scenario. So yeah…I’m just gonna call it like I hear it – there’s nothing really wrong on any kind of technical level when it comes to what you’ll hear on “Try And Find Love” – but I’m not really hearing that defining reason to return to it by choice either. “Try And Find Love” is that cut you’d never turn off, because there’s no reason to…but I’m struggling to find that main reason to turn it up as well. Samantha’s the best part about this one without a doubt…but ultimately, I’m not convinced she’s gonna be enough…the material is paler in comparison to how vibrant the rest of this record surrounding it is.
You had me at the title of “Turd Ferguson” though…one of SNL’s best & most beloved characters – RIP Norm. You can hear what I mean though…listen to the personality in either “The Way I Lie” or “Turd Ferguson” and you’ll know exactly why it’s extremely tough to get into “Try And Find Love” in between. I ain’t here to say that “Turd Ferguson” is gonna win John any awards…it’s a LOT thin when it comes to the concept & built really on loving the name “Turd Ferguson,” which again, I think it genuinely justified. I’m not opposed to what I’m hearing…but I’m not gonna be the guy that’s gonna come atcha tellin’ ya that “Turd Ferguson” comes anywhere near the quality of a song like “Still In Love With You,” or even a “Rap Cat” at the end of the day…it sits somewhere in the middle. No doubt that John’s worked in some killer lines and bars into this track – he always has something worth listening to that basically puts us all in the position of having to agree each track should still be on the record more or less…and I like the real uniqueness you hear in the hook of “Turd Ferguson” too. He was “a bright kid” and now he’s a clever-ass man…I have no doubt he’ll make ya laugh when you’re listening to this track, likely in several spots. Does that make it one of the record’s best? I’m undecided – but it’s still well worth your time to listen.
The final cut, “Up In My Bed,” probably has me feeling a little similar to how I felt about “Try And Find Love” a couple tracks earlier. No doubt that this last song has more spark to it in that regard, but it’s still very much another track that has less identity to it than you usually find in Keenan’s music…like I feel like “Up In My Bed” could have been written by a whole bunch of people, though when it comes to what we hear, it’s still John without a doubt. Do I like it? Yes! But that’s not my point…there’s real value in identity, and that’s always played a significant role in his writing just as much as his sound…having a couple of tracks that seem a lot more…normal-ish…is a bit of a concern. In moments like “Up In My Bed” and “Try And Find Love,” I’m not certain he’s exactly taking a leap forward so much as he could be potentially taking a step backwards to a degree. Make no mistake…whether he’s goin’ serious, or flexin’ his funny bone – it’s John Keenan’s personality that leads him to his biggest victories for sure. I’m not sayin’ it’s any small achievement to create a flawless cut that sounds great, which is essentially what “Up In My Bed” truly IS…but yeah…it feels like it’s missing a little of that legendary mischief or insight he’s so capable of creating at the core of it all somehow. No joke though y’all – Mind Of A Madman II generates a real consistency in terms of quality in the performances and the production of the music you’ll hear – which is really all you can ever hope or ask for. Material-wise, there might be more flexibility to be found there, and more opinions on what ya do or don’t like the best from John – but like I always tell ya on these pages of ours, polarizing can be a great thing – it gets us talkin’ about what we hear. The last thing ya want is indifference…and Keenan doesn’t have to worry about that with the lineup he’s created for this record overall. It’s great to hear him thriving & still doin’ his thang…I’m still gonna be the guy to tell ya this is the same John Keenan we all know without question, but it’s the same John Keenan we all love too. The guy’s damn good at what he does…personally, I’m glad he’s still got his personality leading the way, a tremendous amount of identity within the majority of the material, and a whole pile of addictive hooks no one could ignore.
Find out more about John Keenan at the official links below!
Main site: https://www.johnkeenanonline.com
Facebook: https://www.facebook.com/johnkeenanonline
Instagram: https://www.instagram.com/johnrobertthomaskeenan
YouTube: https://www.youtube.com/@JohnDangerKeenan
Multi-link: https://linktr.ee/johnmfkeenan
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John Keenan, Kansas born, Arizona-based rapper, musician, and hip-hop producer, is pleased to announce the official release of ‘Mind of a Arizona-Based John Keenan Presents ‘Mind of A Madman II’ AlbumMadman II,’ a sequel to the artist’s 2011 debut album ‘Mind of a Madman I.’ After twelve years and 4 albums in between, the follow-up project is now available to stream on every major music platform.
The 14-track album fuses pop, R&B, and rap to explore contemporary themes and push the boundaries of traditional hip-hop. With features from Samantha Dalton, Krizz Kaliko and X-Raided, Keenan fearlessly blends comedic songs with thought-provoking lyrics. From the cheeky tone of ‘All Into Crypto’ to the touching feel of ‘Pain We Know,’ each track takes listeners on a distinct emotional journey.
The first single, “Turd Ferguson” is a tribute to the late Norm Macdonald and his impersonation of Burt Reynolds on SNL’s parody of Jeopardy.
“I’ve been working on a second ‘Mind of a Madman’ since 2016,” said Keenan. “I was attempting to complete an album called “Wreckage of the Past,” but it wasn’t it’s time.”
‘Mind of a Madman II’ is now available to stream on Apple Music, Spotify, SoundCloud, or wherever people listen to music.
Previous releases, merch, and additional information about the artist can be found at www.johnkeenanonline.com. To stay up to date with performances and upcoming music, follow John Keenan on Instagram, YouTube, Twitter, and Facebook.
Stream the album below.
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https://soundcloud.com/john-robert-keenan/tracks
https://open.spotify.com/album/4iOm7HlsHlRmY6W38QxAcZ?si=l3kO0SQCRvK7xzhu7XsUiQ
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https://www.melodymine.com/2022/12/john-keenan-mind-of-madman-ii.html
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https://www.youtube.com/watch?v=40a2w_hzjRk&list=PLPolgdThYHIWgPueSvnWz5kJpJesp6aQt
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The virus caused me little to no stress, it was the election. No, I'm not a domestic terrorist. I'm not a dumbass either, but this post isn't about the election.
I always wanted to make a patriotic song, but I don't have much control over the creative process. Whatever comes, comes,
On election night I started playing with chords and samples, chopping them up, moving things around and I knew I had a "beat on the machine."
Back in the day I couldn't shut equipment off because I didn't know how to save it so a "beat on the machine" is like a pan on the stove. Some sort of portal is open and I can't just stop and pick back up where I left off. With a patriotic beat on the machine and a bunch of election chaos I finally saw it.
About 15 years ago my Grandpa used to have a post it note on his mirror that said, "1. God, 2. Country, 3. Family, 4. Me". I never understood it as my list was the exact opposite because my head was in my ass and I've only ever thought about myself.
During the three days making this beat I was destroyed because I finally realized what this was. I walked around my whole life with a piece of paper protecting me and my rights and I took it for granted. The Bill of Rights isn't just something you learn about in school. It's something to tremble before.
The people governing themselves is a crazy idea in the history of the world. This American experiment is just that, an experiment. My entire pampered life of safety and freedom I took for granted, because I didn't really understand it.
Finally, I understood why my Grandpa had that post it note ordered in that way. The freedom I have was paid for in the Revolutionary War, The Civil War, the World Wars.
We aren't subjects of the king. This isn't The Confederate States of America. I'm not writing in German.
This beat felt right. It felt important and I had no clue what to do with it. The chorus was weird and for a year it sat on a huge pile of unwritten or unfinished songs as just a beat.
Every few months I'd try and write to it and nothing came.
A couple months ago I sat down when I realized it was Nov 3 again one year later chills went down my spine. How would I write to something like this and what do you say in such a divided environment?
I wanted to span American history in the first verse somehow and did my best. I had to look up how to say "versailles" and I'm not even sure I said it right or how much America had to do with it. I'm a song writer, not a historian.
Mentioning "Bleeding Kansas" was important to me because I"m from Kansas and love Kansas. My Great Grandfather Harry was born in 1889. He died when I was 2. I don't remember him, but my family still talks about him all the time. My Great Grandmother Gertrude died in 2005 so the memories of Harry have lived on.
Once they babysat me and I wouldn't fall asleep. "Sing him a song" Grandma said as Harry held me. "Ooooo say can you see..." He had a booming voice and sang in my ear scaring the daylights out of me. "Harry, not a song like that?!" "Why would you sing that!?" Grandma shouted as I instantly started crying. Of course I don't remember, but I've heard the story a million times.
Harry's Grandfather and Great Grandfather fought for the Union. One lifetime connected me to the civil war. One of them was shot in the neck and if he wasn't found and his life saved, mine wouldn't exist. Abolition IS in my bones.
We've been trying to form a more perfect Union. It has never been perfect, never will be, we're people. Our founding fathers got the sovereignty of the individual right though.
Don't miss the reality and beauty of the forest because you're diverted by the ugliness of some of the trees.
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